The two-point perspective has a proven and logical system. Therefore, in order to draw correctly in a reverse perspective, a logical justification is needed. The dogmas of iconography require the iconographer to direct all the vectors of the religious storyline to the viewer. Therefore, objects are deliberately drawn in a reverse perspective. The paradox is that, in order to draw correctly in reverse, a system is also needed. Here I present my solution for drawing in a reverse perspective. For this purpose, I use a perspective system with two points.

To illustrate this condition in the reverse perspective, I use the following solution:

From point O a remote distance on the central vertical is detected. This place creates the new O point, which falls below the X-line. It is therefore impossible to draw objects above the horizon. This is logical, because in the perspective the closer to the horizon [or up] is a surface, the shorter it becomes. In retrospect, the opposite must be the opposite - the higher the surface, the more extended and withdrawn in the back it becomes. A line parallel to X is drawn through point O. On this line the projections of the points of contention and their respective measurement points are plotted. After the construction of the convincing points and the basic rules, the solution of the condition from earlier in the reverse perspective looks like this:

Here I use painting in perspective as a symbol of unbelieving people or the science of science, a kind of Illuminati. A symbol of believers is the opposite perspective. Paradoxical is the need for scientific knowledge to serve the dogmas of the church. It transforms art into what unites and at the same time distinguishes science and religion.